The women soon scattered around the high desert and so I divided our photographic coverage up with me going one way and Scott going the other. Without a doubt the women were working hard although it became apparent that they had much smaller loads to carry, much smaller pieces of wood in size and weight to gather and a much shorter distance to walk back home by virtue of their desolated outpost. No city or freeway to navigate nor free roaming elephants to worry about.
Soon they started to bundle the wood, providing me with graphic details of the materials they use such as the heavy ropes and crude axes…Their scarred hands with bejeweled fingers tying and twisting lengths of hemp to secure the load before lifting it to their shoulders. With the muffled groans of people enduring physical labor filling the air, I’m aware to not overspend my welcome. Instead I try to work at the edges quickly without engaging them to try and balance the needs of the project with the need to stay out of the way....not to push them too hard. I’m skilled at making the best images possible at a particular moment yet to be culturally sensitive and constantly aware. I need to know when to lift my camera, when to watch and when to walk away…all while constantly assessing the composition to capture images that mean something…images which aren’t disposable…
I shoot at the edges without my subject paying too much attention to me…knowing I’m there but accepting me in their midst. And when it feels right…feels right…is right…I place myself in their personal space which is where you begin to find the heart of a strong composition. This type of photography is quick yet needs to be accurate. You need to know when to cut and leave so you don’t over work the scene or the subject. I’m not a photojournalist like some of my esteemed colleagues nor am I covering hard news. So I have the luxury of being sensitive to my subject’s needs or they simply, as they do without any hesitation, utter a few unknown words, turn and walk away. You literally have zero control. So to get any image, let alone a good one, can be extremely trying. The celebrated “decisive moment” type of image when elements come together like old friends on a country road are rare and at times just appear out of the blue…almost like gifts from on high…which means you have to remain “dialed in” to your subject
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